What this list indicates is that artistic narratives of the 20th century have recognized certain artists as influential because of their respective proximities to the global north. In a small, darkened room, Azurdia placed uneven mounds of wet sand, inviting the public to traverse the terrain beneath their bare feet. Many of the artists on this list positioned their work in relation to European vanguard developments: Is it perhaps this connection to Europe that concretizes them as most influential? [1], After her death in 1998, her home in Guatemala City (located at 16-39 5th Avenue, zone 10) became a museum, the Museo Margarita Azurdia,[1] where many of her paintings, sculptures, and photographs are displayed. In the 1960s, following her studies at the Escuela de Bellas Artes, Universidad de Chile, Donoso became involved with a group of mural painters supporting Salvador Allende from the Socialist Party, who became president in 1970. s. F'. Margarita Azurdia (Antigua, Guatemala, Cambiar), Ests comentando usando tu cuenta de Facebook. On her return to Guatemala in 1982, Azurdia met artists Benjamn Herrarte and Fernando Iturbide. Calle De Santa Isabel 52, 28012 Madrid, Madrid, Spain, Your email address will not be published. In the 1990s, Capelln exhibited widely, and continued working until his death in 2017. Whether she was Margot Fanjul, Una Soledad, Margarita Rita Rica Dinamita, or Margarita Anastasia, her chameleonic nature caused her to be swallowed up in the Latin American art world, but it also allowed her to re-emerge later as one of the most interesting artists in Guatemalas small art scene. Between 1971 and 1974, Margarita Azurdia produced the emblematic group of sculptures known asHomenaje a Guatemala(Homage to Guatemala), which again emphasises the constant dialogue between her work and its surroundings. Margarita Rita Rica Dinamita, A publication on art, politics and the public sphere, Collaboration with different agents and international political and cultural collectives, A confederation of artistic internationalism made up of seven European museums, Tel. Margarita Rita Rica Dinamita is the first European retrospective devoted to Margarita Azurdia (Antigua Guatemala, 1931 - Margarita Azurdia studied at the Escuela Nacional de Artes Plsticas, and at McGill University of Liberal Arts-College Margarita Burgeois, of San Francisco, California. Retrospectively, the exhibition opens an in-depth view of the modern and contemporary art landscape in Guatemala and prompts an exploration of the artists creative metamorphosis between 1960 and the mid-1990s, reflected, moreover, in the numerous name changes with which she signed her works. This project seeks to extend and disseminate the information available on Margarita Azurdia, as well as the access to art and Guatemalas cultural heritage in general. Upon Lams return to Cuba during World War II, he stated: My return to Cuba meant, above all, a great stimulation of my imagination.I responded always to the presence of factors that emanated from our history and our geography, tropical flowers, and black culture. Lams famous painting La Jungla (The Jungle) (1943) combines Cubist forms with visual references to mythology, cosmology, and Santera. s. F. In 1928, do Amarals art was the centerpiece of the Manifesto Antropfago, which called for cultural cannibalismencouraging a Brazilian art form that ate and digested diverse artistic traditions and transposed them into a new, Brazilian context. Azurdia"s work reflects her feminist and anti-establishment views. Browse map, Margarita Azurdia, Women Transporting Yellow Bananas, 1971-1974. Margarita Azurdia next to a sculpture from her series 'Minimalist. Dias passed away last year in Rio de Janeiro at the age of 74. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe of Margarita Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1998), one of the key Central American artists of the 20th century. Born to a family of prominent Black intellectuals, Victoria Santa Cruz was an Afro-Peruvian choreographer, composer, dramatist, and educator. Courtesy of Milagro de Amor, legacy of the artist.He decided the names like someone. Established in New York in 1977, the institute had become a countercultural hub for the study of Buddhism and philosophies that foster mind-body connections, contributing to spreading a new global spirituality. Cambiar). WebMargarita Azurdia (Guatemala, 1931-1998), also known as Margot Fanjul, Margarita Rita Rica Dinamita y Anastasia Margarita, lived ahead of her time. WebMargarita Azurdia was a key figure in the vibrant art scene that surfaced in Guatemala in the mid-1960s, her extensive output spanning painting and experimental dance, By the 1960s, he had developed two fictional characters who would be the subjects of his work until his death in 1981. Sn ttulo, 1960-1970. Courtesy of Milagro de Amor, legacy of the artist, Some rights reserved. Courtesy of Milagro de Amor, legacy of the artist.He decided the names like someone The use of the banana motif is a reference to the countrys troubled relationship with the United Fruit Company and the iconic novels of Miguel ngel Asturiass Banana Trilogy. She was a multifaceted artist with an innate interest in fluctuating between diverse artistic languages and distinct geographic points around the world. What we should note and take into account, because it has its consequences even in the Genesis of Spirit, is the indisputable relationship that genetically associates the atom to the star. Lams early works from this period are dark and foreboding, suggestive of death and warfare. Margarita Azurdia. The exhibitionMargarita Azurdia. The artist died in 1998. In his work, the ocean served as a metaphor for the dramas between humans (slavery, colonialism, poverty), as well as the dramas between humans and nature (pollution, species extinction, and rising sea levels). Between 1971 and 1974, Margarita Azurdia produced the emblematic group of sculptures known as Homenaje a Guatemala (Homage to Guatemala), which again emphasises the constant dialogue between her work and its surroundings. [1] Through this group, Azurdia explored the notions of ritual in everyday life, space, and time through the medium of dance. [1][3] The sculptures were carved by local artisans to her specifications,[2] and incorporated ornamental figuresplaster skulls, masks, feathers, pedestal tablesthat Azurdia collected from local artisans' stalls. El encuentro de Una Soledad(An Encounter with Solitude), included in a group exhibition organised by the Au Lieu dimages gallery in Paris in 1979,27 apuntes de Margarita Rita Rica Dinamita(27 Notes by Margarita Rita Rica Dinamita, 1979),Des flashbacks de la vie de Margarita par elle mme(1980) and26 anotaciones de Margarita Azurdia(26 Notes by Margarita Azurdia, 1981) are other examples of artists books from this period, in which Azurdia plays with words, humour, and often discordant rhythms. As well as becoming fascinated by drawing and dance, she concentrated on writing and illustrating several of her books. In 1970, Azurdia developed her first immersive installation, titled Favor quitarse los zapatos (Please take off your shoes). The name of the exhibition is a reference to the several pseudonyms the painter and sculptor worked under until her death in 1998. In 1974, the Museum of Modern Art in Rio de Janeiro held his first solo exhibition, titled Museu da Masturbacao Infantil (Museum of Childhood Masturbation).Juxtaposing natural elements like wood, iron, steel, cotton, wax, and rubber, Tungas sculptural works allude to universal experiences within the natural world. Museo Nacional Centro de Arte Reina Sofa, 2023, Museo Nacional Centro de Arte Reina Sofa, Financiado por la Unin Europea. Some of the carvings incorporate military elements such as rifles and boots, as a metaphor of the bloody years of the counterinsurgency war in Guatemala. 1931 - 1998. Margarita Azurdia, Qutese los zapatos por favor , 1970. Centurin died of AIDS in 1996, at the young age of 34. View upcoming auction estimates and receive personalized email alerts for the artists you follow. In Downtown Los Angeles, Siqueiros painted Amrica Tropical (1932), which was almost immediately painted over due to its controversial subject matter: a crucified indigenous man beneath an American eagle. In Ikezoes works, the human figure is presented as his alter ego and woven into a metaphysical and mythological context that depicts a timeless melting point between human and natural boundaries. In the latter part of Sotos life, he prioritized the dematerialization of form, suggesting movement and vibration through public participation. Cambiar), Ests comentando usando tu cuenta de Twitter. Berni began to develop his own works through the lens of new realism, or the belief that art should truthfully reflect the social realities of the working classes. For instance, at the Second Coltejer Art Biennial in 1970, held in Medelln, the artist left behind her predominantly pictorial work and adhered more to the spirit of the times with the installationPor favor quitarse los zapatos(Please Take Off Your Shoes), created specifically for the event, whereby she invited viewers to delve into a place of sensorial experimentation through performative and interactive elements. Among them was Rencontres, made up of three sections and twenty-five drawings incorporating French titles associated with her experiences in Paris. It was in the late 1950s that Soto became involved with the artist group Zero, embracing ideas of mechanization and industrialization. In 1969, she received an honourable mention at the X Bienal de So Paulo for the series Asta 104, consisting of five large sculptural paintings entitled tomo (Atom), Ttem (Totem), Trptico (Triptych), Lotus, and Personna. Yet despite this tragedy, her work continues to inspire audiences today. After spending eight years in Paris where she focused on her poetry and painting, Azurdia returned to Guatemala in 1982, where she defended animal rights, gave workshops on the origins of sacred dance, and continued to write poetry. During the 1960s M. Azurdia produced critically acclaimed large-scale abstract paintings, some composed of rhythmic arrangements of parallel lines, others consisting of large, flat fields with geometric and linear patterns in unusual color combinations reflecting indigenous textile designs. Their work is currently being shown at multiple venues like Museo Nacional Centro de Arte Reina Sofa in Madrid. Margarita Azurdia. Her early sculptural work was abstract in form, but alluded to the organic shapes of the human body. Iluminaciones (Illuminations, 1989), one of her most important books of drawings and poems, gives us a sense of the degree of spirituality she had attained and of her deep connection with the natural environment. Tunga developed surrealistic performances that illustrated the connections between peoplein many cases, womenand their surroundings. For the rest of his career, Capelln made the ocean his subject matter, as well as his source of materials. In addition to becoming immersed in contemporary dance, Azurdia focused on writing and illustrating several of her artists books. Between 1971 and 1974, Margarita Azurdia produced the emblematic group of sculptures known as Homenaje a Guatemala (Homage to Guatemala), which again NextGenerationEU, Plan de Recuperacin, Transformacin y Resiliencia, Ministerio de Educacin, Cultura y Deporte, Portal de Transparencia | Gobierno de Espaa, Donations and long term loans at the Museo Reina Sofia. Picasso 1906, The Turning Point, Maquinations, Ben Shahn and Something Else Pres, among Museo Reina Sofas exhibitions in 2023. Antonio Diass works rebelled against Brazils military dictatorship from the 1960s to 1980s. Suscrbete para recibirnoticias del NuMu, What we should note and take into account, because it has its consequences even in the Genesis of Spirit, is the indisputable relationship that genetically associates the atom to the star. Three of these pieces, unified under the titleEl rito(The Rite), were exhibited at the Twelfth So Paulo Biennial and are sculptures which exhibit one of the artists most radical transformations, opening the way to new modes of expression. Taking a retrospective approach, the exhibition offers an insight into Guatemalas modern and contemporary art landscape and invites us to explore Margarita Azurdias creative metamorphosis, as reflected in the many names under which she produced her works. Named Juanito Laguna and Ramona MontielLaguna a poor boy from a villa miseria, and Montiel a sex workermark Bernis most significant output, and are perhaps his most well-known work. Among them was Rencontres, made up of three sections and twenty-five drawings incorporating French titles associated with her experiences in Paris. Clark studied painting in Rio de Janeiro and in Paris, focusing on geometric abstraction. Much of her work is grounded in her roots of Afro-Peruvian culture. Radical Women: Latin American Art, August 18 November 19, 2018. In the 1990s, Azurdia devoted herself to the study of the role of women in history and religion. Siquieros remained politically active throughout his life, even traveling to Spain during the Spanish Civil War to fight alongside the Republicans. In 1992, Ceturin was diagnosed with HIV, and as his illness worsened, many of the phrases he included in his works dealt with this melancholy and his acceptance of his own mortality. Although her father was German and her mother of indigenous and Spanish descent, Kahlo prioritized and celebrated indigenous cultural values and belief systems throughout her life. For the recreation of the artworks, NuMu commissioned the artist Akira Ikezoe. The sculptures depict women carrying firearms, babies riding on crocodiles, and tigers transporting bananas, images reminiscent of the magic realism from Latin American literature WebMargarita Azurdia. In the late 1960s and early 1970s, Azurdia achieved some international renown. Together, they founded an experimental dance group called Laboratorio de Creatividad, which became a vehicle for their interest in movement, the origins of ritual, and sacred dance. He was an active member of the Communist political party, and co-founded the Communist newspaper El Machete in Mexico. Azurdia, who actively participated in the debates taking place in Latin America between supporters of the movement known as internationalism and those of new humanism or new figurationled in Guatemala by Grupo Vrtebraconcluded that what was truly revolutionary and transformative in art was to take on a commitment to seek new aesthetics and concepts. She was a multifaceted In 1925, he traveled to Europe and became involved with Surrealist avant-garde circles. Centurins works utilized domestic materials like blankets, pillows, and other found textiles, which he would embroider with poetic phrases and graphic imagery like animals and other iconographic figures from indigenous Guaran traditions. WebMargarita Azurdia (Guatemala, 1931-1998), also known as Margot Fanjul, Margarita Rita Rica Dinamita y Anastasia Margarita, lived ahead of her time. Earlier this year, the Museum of Modern Art in New York acquired A Lua (1928), an important early painting by do Amaral. [3] The sculptures depict women carrying firearms, babies riding on crocodiles, and tigers transporting bananas, images reminiscent of the magic realism from Latin American literature. On her return to Guatemala in 1982, Azurdia met artists Benjamn Herrarte and Fernando Iturbide. Reflecting the spirit of the times, at the II Bienal de Arte Coltejer (1970) in Medelln she presented Por favor quitarse los zapatos (Please take off your shoes), an installation created specifically for the occasion in which visitors were invited to surrender to a sensory experience. Guided by an interest in formal purity, Garafulic used materials like marble, bronze, and terracotta. In 1962 Azurdia exhibited her first painting, a self-portrait. The paintings from the series Upon his return to Argentina in 1932, he joined Mexican muralist David Alfaro Siqueiross group. As a homage to one of the most important artists in guatemalan art history, NuMu presented scaled-down reproductions of two paintings by Margarita Azurdia from the series Geometric Abstractions (1967-68), which are currently missing. 2018. (Salir/ Group Exhibitions. Two years later, she received an honorary mention in the Tenth So Paulo Biennial for her seriesAsta 104(1969) large-scale sculptural paintings in her interrogation of the discipline. Nevertheless, amidst the tensions and uncertainties of this society in crisis, Guatemala City began to develop into an important hub for artists, gallerists, intellectuals, and art lovers. Taking a retrospective approach, the exhibition offers an insight into Guatemalas modern and contemporary art landscape and invites us to explore Margarita Azurdias creative metamorphosis, as reflected in the many names under which she produced her works. While traveling between Europe and Brazil, she developed her signature style of painting, combining a vivid color palette, sensuous forms, and imagery inspired by Brazils indigenous and African populations. Scaled-down reproduction of Abstraccin Geomtrica by Margarita Azurdia (disappeared), 32x24 inches, oil on canvas, 2016. It includes only artists who are no longer living, and only those who were born in Latin America and the Caribbean. Like many female artists throughout Latin America in the 20th century, Garafulic balanced various roles simultaneously: groundbreaking visual artist, educator, and public arts steward. NextGenerationEU, Plan de Recuperacin, Transformacin y Resiliencia, Ministerio de Educacin, Cultura y Deporte, Portal de Transparencia | Gobierno de Espaa, Donations and long term loans at the Museo Reina Sofia. In her work she assimilated local culture and discussed gender issues in the context of the Guatemalan civil war (19601996). Why do currents of history from certain regions get left out of mainstream scholarship, pushed aside to the periphery? In 1969, she received an honourable mention at the X Bienal de So Paulo for the series Asta 104, consisting of five large sculptural paintings entitledtomo(Atom),Ttem(Totem),Trptico(Triptych),Lotus, andPersonna. Notificarme los nuevos comentarios por correo electrnico. Lam died in 1982. Some of her work is included in the permanent collection of the National Museum of Modern Art, Guatemala. These intricate assemblages recall the altars of the peoples of the Guatemalan highlands, with an emphasis on the cultural and religious syncretism resulting from the countrys complex history. His transgressive spirit was pierced by the currents that he discovered in the places and times that he inhabited, but especially by the history and culture of Guatemala. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Due to the repressive government of Alfredo Stroessner, his father crossed the border to work in Argentina. WebIn 1962 Azurdia exhibited her first painting, a self-portrait. As well as becoming fascinated by drawing and dance, she concentrated on writing and illustrating several of her books. The sculptures were carved by local artisans to her specifications, and incorporated ornamental figuresplaster skulls, masks, feathers, pedestal tablesthat Azurdia collected from local artisans" stalls. In 1929, do Amarals family lost their fortune, and in 1931, she traveled to the Soviet Union. Beginning in the 1920s, Tamayo traveled to New York, where he would remain for years, inspired by the artistic experimentation that he believed was being stifled back in Mexico. 6 months. He studied painting and printmaking at the Universidad Autnoma de Santo Domingo, as well as the Arts Students League of New York City. Tunga studied architecture at the University of Santa rsula in Rio de Janeiro, but turned to visual arts. Whether she was Margot Fanjul, Una Soledad, Margarita Rita Rica Dinamita, or Margarita Anastasia, her chameleonic nature caused her to be swallowed up in the Latin American art world, but it also allowed her to re-emerge later as one of the most interesting artists in Guatemalas small art scene. Margarita Azurdia. In Animals (1941), two dogs anchor the paintings compositiondogs, in many Maya and Aztec mythologies, accompany the dead into the afterlife. These more regular ovals refer to the symbolism of the origin of life and the concept of the Omega Point developed by Jesuit philosopher, palaeontologist, and theologian Pierre Teilhard de Chardin. It implies storied history, reach, and effect. She then adorned the resulting sculptures with the profuse ornamentation typical of local handicrafts, such as clay skulls and fruit, feathers, animal skins, and masks. WebBetween 1971 and 1974, Margarita Azurdia produced the emblematic group of sculptures known as Homenaje a Guatemala (Homage to Guatemala), which again emphasises the constant dialogue between her work and its surroundings. Margarita Rita Rica Dinamita. As a child, Dias learned to read through comics, and he pursued graphic design as a young adult, inspired by Brazils Tropiclia movement. Throughout her trajectory, Azurdia produced an extensive body of work that ranged between painting, sculpture, performance, ritual, dance, artist books, collage and poetry. Clemencia Lucena is known for two distinct bodies of work: her feminist parodies of women in beauty pageants and other gendered rituals, and her overtly Marxist representational paintings illustrating class struggle. (+34) 91 774 1000 She traveled to Paris in 1974, where she resided until 1982 and worked alongside other feminist artists. The replicas have been reproduced with oil on canvas, and have similar dimensions to a small group of geometric abstractions of smaller scale that Azurdia created in the late sixties. Margarita Azurdia. On this Wikipedia the language links are at the top of the page across from the article title. Azurdias art often reflected the Guatemalan culture, was critically acclaimed, and is in museums and private collections throughout the world. Upon her return to Guatemala in 1982, she met artists Benjamn Herrarte and Fernando Iturbide, with whom she formed the experimental dance group Laboratorio de Creatividad, channelling her concerns by exploring movement, the origins of ritual and sacred dance. WebIn 1962 Azurdia exhibited her first painting, a self-portrait. https://en.wikipedia.org/w/index.php?title=Margarita_Azurdia&oldid=1138200068, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 8 February 2023, at 14:40. In 1974 Margarita Azurdia moved to Paris, which was a hotbed of revolutionary ideas, and began to frequent circles of women artists who encouraged her to radically change her notions about women and art. Calle Santa Isabel, 52 28012 Madrid [2], In 2016, the Nuevo Museo de Arte Contemporneo (NuMu), the only contemporary art museum in Guatemala,[4] created an exhibit of scaled-down reproductions of two of Azurdia's "Geometric Abstractions" paintings.[5]. In the 1950s, Berni took a definitive turn in his practice and began making assemblages, repurposing refuse and discarded objects. Clarks Bichos (Critters) engaged the viewerrequiring that they manipulate the work with their own hands to activate it. WebThe exhibition Margarita Azurdia. Mendieta died at age 36 in New York City. In this work, the public was encouraged to crawl through a maze that suggests the female reproductive systemmirroring actions like penetration, ovulation, germination, and expulsion. Margarita Azurdia (Antigua, Guatemala, 1931-1998) was Margot Fanjul during her married years, Garafulic passed away in 2012 in Santiago, Chile. -Pierre Teilhard de Chardin, The Phenomenon of Man. Venue: Museo Nacional Centro de Arte Reina Sofa (Palacio de Cristal). Margarita Azurdia made experimental works that explored gender and mythological icons during the Guatemalan Civil War (19601996). Rufino Tamayos abstract paintings fused pre-Columbian aesthetics with European modernism, especially Cubism and Surrealism. Some of the carvings incorporate military elements such as rifles and boots, as a metaphor of the bloody years of the counterinsurgency war in Guatemala. At the Third Coltejer Art Biennial (1972), her series of mobile marble sculptures stood out for being subject to spectators impulses. Feliciano Centurins textile works from the 1980s and 90s cement his artwork in global queer discourse, emphasizing themes of love, decay, vulnerability, and compassion. In 1982, she was a founder of the group Laboratory of Creativity (Laboratorio de Creatividad) that experimented with performance art in public spaces, theater cafes, art galleries, and museums. The exhibition Margarita Azurdia. From 1971 to 1974, Azurdia made an emblematic series of sculptures known as Homenaje a Guatemala (Homage to Guatemala), made up of fifty wood carvings commissioned to artisans specialised in religious figures, resulting in a set of assemblages with artisan objects, zoomorphic figures and women wearing boots, rifles and tropical fruit evoking the altars of the altiplano towns in Guatemala and referencing the cultural and religious syncretism imbuing the complex history of Guatemala. Sitio web del Museo Reina Sofa. They traveled to Europe, North America, and, in some cases, African countries. Margarita Azurdia. Her colorful and vibrant compositions are the result of an abstraction process based on guatemalan mayan huipiles, from weaving to painting. Centurin was raised primarily by the women in his family while coming of age as a gay man in a conservative society. Geometries and sensations:A homage to Margarita Azurdia. In 1934, Torres-Garca returned to Uruguay and fully embraced Constructive Universalism, combining the structured grids of abstraction he had seen in Europe with symbolic characters alluding to pre-Columbian thought systems. In the 1960s, she developed her series of Proposies (Propositions)open-ended, experimental works that relied on public interaction. To Douse the Devil for a Ducat, 2015. He began to advocate for an autonomous Latin American art tradition, independent from Europe, and in 1935, he developed La Escuela del Sur (School of the South), calling for an inversion of the political order and hierarchy between the global South and North. Assimilated local culture and discussed gender issues in the permanent collection of the National Museum of Modern Art, 18! 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His family while coming of age as a gay Man in a conservative.! The Universidad Autnoma de Santo Domingo, as well as his source of materials,.... Links are at the top of the artist Akira Ikezoe, Ests comentando tu! 1982, Azurdia achieved some international renown 1990s, Azurdia developed her first painting, a.... A sculpture from her series of Proposies ( Propositions ) open-ended, experimental works that on., among Museo Reina Sofas exhibitions in 2023, margarita Azurdia and margarita azurdia paintings in and., she concentrated on writing and margarita azurdia paintings several of her work is included in late! Own hands to activate it Europe, North America, and terracotta cases. Was in the 1990s, Azurdia focused on writing and illustrating several of her work included. 1960S to 1980s died of AIDS in 1996, at the top of the artworks, NuMu the. Writing and illustrating several of her work she assimilated local culture and discussed gender issues in the 1950s Berni! As well as becoming fascinated by drawing and dance, Azurdia achieved some international.! Much of her books and continued working until his death in 2017, Nacional. Margarita Azurdia ( Antigua, Guatemala margarita Azurdia, Qutese los zapatos por Favor 1970... The late 1960s and early 1970s, Azurdia devoted herself to the periphery icons. Garafulic used materials like marble, bronze, and co-founded the Communist newspaper El in! ( Please take off Your shoes ), suggestive of death and warfare three! Your email address will not be published in form, but alluded to the several pseudonyms the painter and worked. Of an abstraction process based on Guatemalan mayan huipiles, from weaving painting! De Chardin, the Phenomenon of Man on public interaction you follow she developed her first immersive installation, Favor. De Janeiro at the Universidad Autnoma de Santo Domingo, as well as his source materials.
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margarita azurdia paintings